The suffocating conditions in a bourgeois family were depicted in several films in the second half of the 1950s - this one is one of the lesser known, although it achieves great emotional impact, free from the first ideological pressures. The title character, the owner of the tenement house Mrs. Dulská, controls her relatives and tenants with a firm and despotic hand. To achieve her goals, she masterfully combines tears, blackmail and insidious intrigues, or does not hesitate to abuse the trusting and handsome maid Hanka when she wants her son not to fool around. Everything suddenly turns around when Hank gets pregnant... But the appearance of a good reputation is more important to her than anything.

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A mother and her son arrive at a remote seaside cottage to celebrate his eighteenth birthday. A cottage they have not visited for many years now. Over the course of a weekend, they seek to find a connection with each other once again. But a connection that they may have ultimately lost forever.

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The King Nawab Asif Jehan, who lives in Mor Mahal, is unable to maintain a stronghold over his kingdom. The women in his palace are used to take advantage of his vulnerabilities and are influencing his decisions.

奥默、阿基夫和菲克雷特这三个年轻人如同亲兄弟一般一起长大，他们的父亲都在同一份工作中离世。在郊区社区埃斯基泰佩，这三位年轻人在当地居民物质和精神上的帮助下成长。当他们遭遇安卡拉著名的恶霸法基尔·苏克鲁和德多后，命运发生了改变。

Arif and his daughter Ela try to escape the city in an ambulance with their neighbor Melek after an explosion in the Sun creates chaos. While the journey inevitably leads to confrontations for everyone, Arif almost feels reconnected to himself after being crushed under the expectations of modern life for years.

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